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Moussa Sene Absa's latest work pushes the formal boundaries of African cinema.

The first feature film on homosexuality from sub-Saharan Africa.

A feature film examining the plight of Africa's 10,000,000 children orphaned by AIDS.

In Dakar, Senegal Faat Kine, an independent, single mother and successful business owner looks back over twenty years of triumphs and hardships -including the betrayals by men in her life. A dramatic tribute to the strength and resilience of African women by Ousmane Sembene, the father of African cinema.

Women in four African countries are shown organizing around issues of marital rights, reproductive health, female genital mutilation and entrepreneurship.

Cheick Oumar Sissoko explores the status of African women in two interlocking stories of traditional village society.

The role of women in guerilla struggles and in post-liberation societies is depicted in a story of the women freedom fighters of the Zimbabwean liberation struggle.

The conflict between modern individualism and traditional society is seen through the eyes of two young Niger Delta women involved in a five-week long women's initiation ceremony.

The story of an idealistic young politician's rise and fall in a small town, Tableau Ferraille ("scrap heap") paints a picture of a corrupt post-colonial elite.

A gender-bending farce set among the cliff-dwelling 18th century Dogon people, makes serious points about the status of women in Africa. It shows how ancient mythology can still shed light on modern issues.

Without plot or narration, this mesmerizing documentary records the dehumanizing monotony of a day in the life of women chipping rocks by hand in a Tanzanian quarry while discovering the communal warmth and joy that defies this spirit-breaking labor.

Across Africa, a belief in witchcraft continues to terrorize women: the denunciation, brutal beating, the banishment to an unknown village without family or friends. Witches in Exile is the first film to tell their story and the story of the human rights struggle to find a solution to a practice deeply embedded in tradition and gender economics.

A cross-section of gender-bending pioneers describe in their own words their lives as queer Africans in Abijan.

The special contribution of South African women to the success of the anti-apartheid struggle is documented. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall their struggle against the hated pass system and their imprisonment and banning.

Afro@Digital looks at the impact of various digital technologies across a broad swath of present-day African life and asks how the technology is affecting African culture and how it can best serve the interests of Africa and the global South.

Old home movies, newsreels and a prison diary are interwoven to link personal and public history in this assessment of human rights abuses in Guinea-Conakry.

Arlit: Deuxieme Paris is a case study in environmental racism set in a uranium mining town in the Sahara desert of Niger. Here European corporations extract nuclear power and profits leaving behind disease, contamination and unemployment.

A coming of age story set in a Senegalese fishing village about rival teenaged cliques living out their dreams against a backdrop of disillusioned adults.

A revisionist perspective on Nobel Peace Prize winner Albert Schweitzer rewrites the history of colonialism from the point of view of the colonized.

The fable of an old African king and his wayward daughter is updated to present day Brussels to make provocative points about racism, tradition, class struggle, cultural identity and corruption.

A poetic exploration of traditional and modern concepts of freedom is set in the landscape of Madagascar.

A story about a village teacher who introduces education for local self-development explores the relationships between progressive activists, entrenched social interests, traditional belief system and rural Africans.

This film, the first from the Central African Republic, takes us inside the world of the 'pygmies' or more properly BaAka. A well-intentioned school reformer, disgusted by the corruption in his country, attempts to bring modern learning to what appear to him as the last remaining 'noble savages.' But these superbly adapted rain forest hunter gatherers want none of his knowledge.

Thomas Sankara rose to power in Burkina Faso in a popularly supported coup in 1983. To symbolize this rebirth, he renamed his country from the French colonial Upper Volta to Burkina Faso, "Land of Upright Men" and launched the most ambitious program for social and economic change ever attempted on the African continent.

Soukous music legend, Papa Wemba, stars in the rags to riches story of a poor country musician who seeks fame in the vibrant music industry of Kinshasa.

A feature film about soccer dreams weighs the pros and cons of pursuing ambitions abroad or acceptance of life on the isolated islands of Cape Verde.

Winner, best foreign feature, the 2005 Sundance Film Festival
The Hero (O Herói) tells the story of Angola, a nation attempting to reconstruct itself after 40 continual years of anti-colonial and civil warfare, through the story of a veteran who has lost his leg, a prostitute who has lost a child and an orphaned boy.

A Sudanese immigrant to the UK returns to her homeland to understand why the seemingly racially harmonious country of her memories has become the scene of one of the worst instances of ethnic cleansing in recent history. What she discovers is that race may be too crude a concept to understand the crisis of Darfur.

The first feature film on civil war in modern-day Chad puts a human face on the cycle of violence that engulfs many African countries.

Award-winning complex psychological study of a child soldier

An historical allegory by Cheick Oumar Sissoko tells the tale of a tyrant overthrown.

A chronicle of the period from the departure of Charles Taylor to the election of Ellen Johnson-Sirleaf, the first African woman head of state, that presents the difficulties of rehabilitating a nation destroyed by war. As one Liberian so eloquently stated in the film, "We have an historic opportunity to re-create our state, and that's not something most people have in their lifetime."

This exciting documentary provides an in-depth, case study of one of the bloody civil wars springing up like brush fires across Africa. An intrepid duo of reporters covers the war from either side though neither side can be said to represent anyone but itself. The film indicts the U.S. for its failure to come to the aid of a country to which it helped give birth.

A documentary of South Africa's quest for restorative justice following four cases that come before the Truth and Reconciliation Commission (TRC).

The story of Nigeria's home grown film industry, which is gaining recognition as a cultural and cinematic phenomenon.

This story of a village family caught up in the transformation of an agrarian, subsistence economy into an industrialized commodity economy explores the impact of the change from an oral tradition to a mass media based society where information is pre-packaged and sold.

The Truth and Reconciliation Commission could not heal all the wounds left behind by the apartheid era. Thandeka, a journalist, is still traumatized by the murder of a schoolgirl, which she witnessed years before. She can find no peace before tracking down the perpetrators and finding the body of the schoolgirl so it can have a decent memorial.

Images, instrumental music, song, interviews and narrative provide clues in the search for a lost song, its history, and its argument for cultural retention between aspects of African and African-American culture.

A young boy and his distant ancestor engage in parallel quests to understand their destinies and to know the meaning of their names. In so doing, Keita makes the case for an "Afrocentric" education, where African tradition, not an imported Western curricula is the necessary starting point for African development.

This retelling of an ancient fable about a mute, memory-less orphan, renamed "God's Gift" by the grateful village which adopts him demonstrates the continuing relevance of traditional African values such as hospitality and communal child rearing.

South Africa is the country with the highest number of HIV+ people in the world. State of Denial puts a human face on the millions affected by introducing us to six South Africans involved with the AIDS epidemic. It shows how they must fight not only the disease, but also the greed of the drug cartels and the incomprehensible inactivity of their own government in order to get life-saving treatment.

A story from the burgeoning video industry of Nigeria combines melodrama and issues of ethnicity, gender, culture and identity in post-colonial Africa.